| National Museum of the American Indian | |
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Location in Washington, D.C.
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| Established | 1989-2004 |
| Location | Fourth Street and Independence Avenue, Southwest, Washington D.C. |
| Director | Kevin Gover |
| Website | National Museum of the American Indian |
The National Museum of the American Indian is a museum operated under the auspices of the Smithsonian Institution that is dedicated to the life, languages, literature, history, and arts of the native Americans of the Western Hemisphere. It has three facilities: the National Museum of the American Indian on the National Mall in Washington, D.C., which opened on September 21, 2004, on Fourth Street and Independence Avenue, Southwest; the George Gustav Heye Center, a permanent museum in New York City; and the Cultural Resources Center, a research and collections facility in Suitland, Maryland.
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George Gustav Heye (1874–1957) traveled throughout North and South America collecting native objects. His collection was assembled over 54 years, beginning in 1903. He started the Museum of the American Indian and his Heye Foundation in 1916. The Heye Foundation's Museum of the American Indian opened to the public on Audubon Terrace in New York City in 1922. The current name was established in 1989 through an Act of Congress following a controversy over Native leaders' discovery that the Smithsonian Institution held more than 18,000 Indian remains, mostly in storage. The Heye collection became part of the Smithsonian in June 1990, and represents approximately 85% of the holdings of the NMAI. The NMAI was initially housed in lower Manhattan at the Alexander Hamilton U.S. Custom House, which remains an exhibition site; its building on the Mall in Washington, DC opened in 2004.
The site on the National Mall opened in September 2004. Fifteen years in the making, it is the first national museum in the country dedicated exclusively to Native Americans. The five-story, 250,000-square-foot (23,000 m2), curvilinear building is clad in a golden-colored Kasota limestone designed to evoke natural rock formations shaped by wind and water over thousands of years. The museum is set in a 4.25 acres (17,200 m2)-site and is surrounded by simulated wetlands. The museum’s east-facing entrance, its prism window and its 120-foot (37 m) high space for contemporary Native performances are direct results of extensive consultations with Native peoples. Similar to the Heye Center in Lower Manhattan, the museum offers a range of exhibitions, film and video screenings, school group programs, public programs and living culture presentations throughout the year.
The museum’s architect and project designer is the Canadian Douglas Cardinal (Blackfoot); its design architects are GBQC Architects of Philadelphia and architect Johnpaul Jones (Cherokee/Choctaw). Disagreements during construction led to Cardinal's being removed from the project, but the building retains his original design intent. His continued input enabled its completion.
The museum’s project architects are Jones & Jones Architects and Landscape Architects Ltd. of Seattle and SmithGroup of Washington, D.C., in association with Lou Weller (Caddo), the Native American Design Collaborative, and Polshek Partnership Architects of New York City; Ramona Sakiestewa (Hopi) and Donna House (Navajo/Oneida) also served as design consultants. The landscape architects are Jones & Jones Architects and Landscape Architects Ltd. of Seattle and EDAW, Inc., of Alexandria, Virginia.
In general, American Indians have filled the leadership roles in the design and operation of the museum and have aimed at creating a different atmosphere and experience from museums of European and Euro-American culture. Donna E. House, the Navajo and Oneida botanist who supervised the landscaping, has said, "The landscape flows into the building, and the environment is who we are. We are the trees, we are the rocks, we are the water. And that had to be part of the museum."[1] This theme of organic flow is reflected by the interior of the museum, whose walls are mostly curving surfaces, with almost no sharp corners.
The Mitsitam Native Foods Cafe is divided into Native regional sections such as the Northern Woodlands, South America, the Northwest Coast, Meso-America, and the Great Plains. The only Native American groups not represented in the café are the south eastern tribes such as the Choctaw, Chickasaw, Cherokee and Seminole, many of which supported the United States throughout the tribes' histories.
The Museum’s George Gustav Heye Center occupies two floors of the Alexander Hamilton U.S. Custom House in Lower Manhattan. The Beaux Arts-style building, designed by architect Cass Gilbert, was completed in 1907. It is a designated National Historic Landmark and a New York City landmark. The center’s exhibition and public access areas total about 20,000 square feet (2,000 m2). The Heye Center offers a range of exhibitions, film and video screenings, school group programs and living culture presentations throughout the year.
In Suitland, Maryland, the National Museum of the American Indian operates the Cultural Resources Center, an enormous, nautilus-shaped building which houses the collection, a library, and the photo archives.
The National Museum of the American Indian is home to the collection of the former Museum of the American Indian, Heye Foundation. The collection includes more than 800,000 objects, as well as a photographic archive of 125,000 images. The collection, which became part of the Smithsonian in June 1990, was assembled by George Gustav Heye (1874–1957) during a 54-year period, beginning in 1903. He traveled throughout North and South America collecting Native objects. Heye used his collection to found New York’s Museum of the American Indian, Heye Foundation and directed it until his death in 1957. The Heye Foundation’s Museum of the American Indian opened to the public in New York City in 1922.
The collection is not subject to the Native American Graves Protection and Repatriation Act. When the National Museum was created in 1989, a law governing repatriation was drafted specifically for the museum, upon which NAGPRA was modeled.[2]
The museum has programs in which Native American scholars and artists can view NMAI's collections to enhance their own research and artwork.
Kevin Gover is the director of the Smithsonian Institution’s National Museum of the American Indian as of December 2, 2007. He is a former professor of law at the Sandra Day O’Connor College of Law at Arizona State University in Tempe, an affiliate professor in its American Indian Studies Program and co-executive director of the university’s American Indian Policy Institute. Gover, 52, grew up in Oklahoma and is a member of the Pawnee Nation of Oklahoma and of Comanche descent. He received his bachelor’s degree in public and international affairs from Princeton University and his law degree from the University of New Mexico. He was awarded an honorary doctor of laws degree from Princeton University in 2001.[6]
Gover succeeds W. Richard West Jr. (Southern Cheyenne), who was the founding director of the National Museum of the American Indian (1990–2007).[6]
West was strongly criticized in 2007 for having spent $250,000 on travel in four years and being away from the museum frequently on overseas travel. This was official travel funded by the Smithsonian,[7] and many within the Native American community offered defenses of West and his tenure.[8]
| Editor-in-Chief | Eileen Maxwell |
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| Frequency | quarterly |
| Circulation | 52,640 |
| Publisher | Smithsonian Institution |
| First issue | 2000 |
| Country | USA |
| Website | http://www.AmericanIndian.si.edu/ |
| ISSN | 1528-0640 |
| OCLC number | 43245983 |
The museum also publishes a quarterly magazine, called the American Indian, which focuses on a wide range of topics pertaining to Indian County. American Indian won the Native American Journalists Association's General Excellence awards in 2003 and 2002. The magazine's mission is to: "Celebrate Native Traditions and Communities."[9]